Okay, I did it–I finally pulled the triggered and pre-ordered the Nikon Z6 (with the FTZ mount adapter). Based on the price, specs and my needs, the Z6 made the most sense.
Let me explain why.
So why the Z6 over the Z7? For starters, the Z7 is $1,400 more. That’s a substantial delta for an amateur like me. The Z7 packs a bunch of additional features, but the biggest difference is the megapixel count (45.7mp vs 24.5mp). It’s hard to justify the price difference because I rarely crop my photos, nor do I print anything the size of a wall mural. For professional photographers, paying a little more is logical because they’ll make it back–more megapixels makes cents (tee-hee). For me, the only thing that makes the Z7 more attractive is that it will be available a little sooner than the Z6.
What will I do with all that saved money? I’ll probably get a backup battery and potentially an off-board video recorder like the Atomos (so I can shoot at 4k, 10 bit, at 4:2:2). And maybe… just maybe… I’ll add another lens to the stable.
Cost of change
The reason why I chose the Z6 was because I already own Nikon glass, a strobe, and a couple of other accessories. Selling off all my gear in exchange for another brand like Sony would come at a loss. By purchasing the Z6, my D600 will substitute as a secondary camera for shooting B-roll or quickly snapping additional photos with a different prime lens. That my friend, adds another dimension to my set up.
If I wasn’t so invested into Nikon, I would have gotten a Sony mirrorless camera a long time ago. In particular, the Sony A7III is a much better value and offers some features that are a couple generations ahead of Nikon like eye tracking auto-focus.
I also know my way around the Nikon interface, so I know how to operate all the nitty gritty stuff. I’ve heard that the Z6 works exactly like all the other Nikon interfaces. Changing platforms means learning a new system–I won’t have to fumble around Sony’s infamous UI. Instead, I can just pick up the camera and start shooting.
It’s my hobby
For me, shooting photos on my phone is fun, but it’s not the same experience as shooting on a full frame camera. Call me old-school, but I’m going to miss the feeling of a mirror slapping on my D600. Perhaps it’s the same reason why I like things like driving manual sports cars and wearing automatic watches–you’re forced to slow down because of the process and limitations. That experience enables you to feel and appreciate things from a different perspective. When I post-process photos, I’m always evaluating why the photo matters. Should it be in black and white? Does it need more contrast? What is the star of this picture photo, and how do I present it in such a way that it provides a better narrative?
To me, photos are critical to the human experience. Photos act as an extensions of our memory, triggering us to recall the smells, sounds and feelings. In that brief moment, time is frozen. I used to shoot photos with my dad’s Nikon F2, but I think I really got into it when I purchased the D200–I had gotten my first big bonus working for a design agency and I sprung for it. While that particular camera body is out of date, the photos I shot have brought back so many memories. That’s the part that’s priceless.
I don’t think the Z6 will automatically make me a better photographer, but it’ll act as a tool to continue exploring the world, the people, and savoring each moment a little more… one picture at a time.